Monday, May 29, 2006
 
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AND NOW!!.... a full "Custom Framing" Service"

Thank you to:
Our First "Custom Frame" Customer, Dr John Healy.

Images scanned A3 from film shot by Dr Healy, printed, mounted and framed here at Spectrum.

Frames consisted of simple square profile dark timber with a "Polar White" black core matt with clear glass.

Simple and elegant enhancing beautiful images.

Custom Frames Framing to most any size with a wide range of frames from all manufacturers, multiple matts and a range of glass from Museum quality, Premium UV "Ultra Clear" or standard clear or non-reflective glass. All pictures are mounted on the backing board for long lasting "Bubble free" results.
Canvas Stretching Canvas "stretched" onto stretcher bars and stapled on the back. All canvas prints printed by Spectrum will have a protective coating applied either satin or glossy finish included in the price of the print.
Mounting We use a "Cold" Pressure activated mount and laminate and can mount onto "Fome Core" "Gator Board" MBF, Perspex acrylic, Plastic Sheet and most standard media.
Laminating We can laminate most items to standard widths
IMPRESSIVE
Print Commissioned by
Des Zagami
Director of Planning and Building at The Catholic Archdiocese of Brisbane.

Image created by David Bloom from supplied BW line art printed and framed here at Spectrum, on Epson Enhanced Matt Premium paper. Print mounted and framed Double Matt with Black & Brushed Metallic frame finished off with non reflective glass.

I'm pleased to say Des was impressed with the image and framing.


Print 1200mm x 900mm pictured with Des Zagami at The Catholic Centre, Brisbane.
Special !!

Scan, Print & Frame from film
or
Print & Frame from Digital File
Full Frame 8 x 12
(200mm x 300mm)
From film original $97.00 +gst
From digital file $79.00
+gst

Colour or Black & White

Framing with a choice of frames and 40mm matts, print fully mounted with glass. Frame ready to hang with quality metal & coated wire fittings.
Come in and see us or just call and ask for David, (that's me) or Margaret

07 3844 6888

Tour of Paradise

Printed here at Spectrum:

"the exhibition was, dare I say it, a wonderful success. Actually it's still there, at the Presidio, San Francisco"
Quote:Dr Prue Ahrens BA(Hons)PhD

Tour of Paradise
Exhibition presented by:
Dr Prue Ahrens BA(Hons)PhD USyd is Associate Lecturer in Art History in the School of English, Media Studies and Art History, University of Queensland.


Photographs from an American Soldier in the South Pacific during WWII
Print From Supplied scans from Original Photographs

Original approx A3ish printed onto "Ilford Gallerie Card Stock".


Epson guarantee the "Ultrachrome" ink set for up to 75 years under certain standard viewing conditions

Good photography can be an art or a science and for some a bit of both. Close up or macro photography displays the tiny and small at unusually large size making for extreme graphic images. You can be mm away from the subject or at arms length, distance is not the criteria but isolating the normal image from its normal surrounding can lead to amazing results.

The same can be said for different to extreme angles or close up from a distance. Choose unexpected view points with unusual cropping. Try to have the image slightly offset, 1/3-2/3rds is a nice natural proportion.


Photographer: David Bloom

Leah
King-Smith

Artist

Indigenous cultural empowerment has been a fundamental thread in Leah King- Smith’s practice over the past two decades.
Born in Gympie in Queensland, King-Smith holds graduate and post graduate degrees in fine art and is currently a PhD Candidate at Queensland Universityof Technology, Brisbane. Throughout her career, she has been included in significant group exhibitions of contemporary Australian art and has had regular solo exhibitions. Her solo exhibition Patterns of Connection, 1992 – 1994, travelled extensively to venues in the United Kingdom, Canada, the United States and New Zealand. Recent major group exhibitions include The Changing Face of Victoria, State Library of Victoria 2005, Black Photography, touring exhibition from Albury Regional Gallery 2005 and Art Connexions: German and Asia/Pacific photomedia artists cultural exchange program, organised by the Goethe Institut, RMIT Gallery Melbourne and Studio Gallery Singapore 2005-2006.
King-Smith’s work is held in the National Gallery of Australia’s collection, most State Gallery collections and in other public collections in Australia.

"My photographic practice could mostly be described as both political and spiritual in the sense that as an Aboriginal Indigenous artist I take stock of the rationalising effect of the technologies I use, and create work that evokes nature and spirit. My methods often involve re-photographing or digitally re-working landscape photographs and adding historical or cultural icons of significance. Working with Indigenous athletes has been an honour and a pleasure. I admire the athletes’ passion and dedication to their chosen sport, and above all their humility which seems a trait somewhat in contrast to what it takes to attain the highest levels of achievement. Indigenous athletes are wonderful role models for all Australians, and in making creative work that places their luminary presence with the land, I am aligning sportspeople with a deep sense of nature and spirit."


Images 1000mm x 1000mm

Sample of the images displayed in Canberra and Melbourne for the Commonwealth Games printed here at Spectrum.

Unit 14/121 Kerry Road, Archerfield 4108

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